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FEELING AND YOU WILL KNOW WHEN IT’S ENOUGH, a performance by <a class="cap-it" href="https://www.gostia.com/malacarne">Malacarne</a>, choreographed by <a href="https://www.gostia.com/" target="_blank">Alice Gosti</a>. Rooted in ideas of movement, dependency and labor, Gosti and Malacarne performed this creative response to the Boren Banner project, <a href="https://fryemuseum.org/exhibitions/boren-banner-series-laura-hart-newlon" target="_blank">A prop, grip or hold at the Frye Art Museum</a>. The performance was followed by a conversation called The Movement of Labor, mapping connections between two distinctly different art practices that explore similar themes. 2023 https://freight.cargo.site/t/original/i/W2151101427064511444971727485312/11_chromo.jpg Experimenting with the chromoskedasic process with PCNW thesis student <a class="cap-it" href="https://www.jennyhansendas.com/" target="_blank">Jenny Hansen Das</a> https://freight.cargo.site/t/original/i/M2151101427009171212750598830464/8_cv.jpg 15 years of my CV, punctuation only https://freight.cargo.site/t/original/i/M2151101427046064700898017933696/10_lag.jpg Holding and falling https://freight.cargo.site/t/original/i/R2151101427082958189045437036928/12_tests.jpg Seven year-old hands in too-big fancy gloves, on the way to making Lazy Semaphores https://freight.cargo.site/t/original/i/Y2151101426990724468676889278848/7_sculptures.jpg Figures/armatures/support structures living in the studio https://freight.cargo.site/t/original/i/U2151101427304319117929951656320/20_1_tending_detail.jpg Tending the Roses, Steel, image transfers on drafting vellum, enamel. 2022 https://freight.cargo.site/t/original/i/Z2151101427230532141635113449856/18_1_td_papasan.jpg Images from the collaborative project and artist book Tropical Depression (2013), with Kate O’Neill. 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In process for <a class="cap-it" href="https://fryemuseum.org/exhibitions/boren-banner-series-laura-hart-newlon" target="_blank">A prop, grip or hold</a> https://freight.cargo.site/t/original/i/K2151101427212085397561403898240/17_making_and_unmaking_still.jpg Still from The Unmaking of a Sphere, 2016. https://freight.cargo.site/t/original/i/M2151101426972277724603179727232/6_banner_test.jpg Living, large test strip for <a href="https://fryemuseum.org/exhibitions/boren-banner-series-laura-hart-newlon" target="_blank">A prop, grip or hold at the Frye Art Museum</a> https://freight.cargo.site/t/original/i/O2151101426880044004234631969152/2_western_pole.jpg Created for Western Pole (Chicago), curated by artist <a href="https://fryemuseum.org/calendar/event/movement-labor">Jesse Malmed</a> 2018 https://freight.cargo.site/t/original/i/U2151101427378106094224789862784/21_research.jpg Research https://freight.cargo.site/t/original/i/T2151101427433446326445918517632/24_extra_firm.jpg Extra Firm, Archival pigment print, 2016 https://freight.cargo.site/t/original/i/T2151101427175191909413984795008/15_backgound_pics.jpg Two works from series Background Pictures. Left to right: [ocean] and [gingham]. Cut pigment prints on dibond. 2017 https://freight.cargo.site/t/original/i/A2151101427322765862003661207936/20_2_tending_detail1.jpg Tending the Roses, Steel, image transfers on drafting vellum, enamel. 2022 https://freight.cargo.site/t/original/i/Z2151101427396552838298499414400/22_skins.jpg Skins, Archival pigment print, 2017 https://freight.cargo.site/t/original/i/M2151101427156745165340275243392/15_2_bp_gingham_detail.jpg https://freight.cargo.site/t/original/i/P2151101427267425629782532553088/18_tropical_depression.jpg Images from the collaborative project and artist book Tropical Depression (2013), with Kate O’Neill. Tropical Depression investigates the relationships between photography, objects, and the tropics as a connotative and mythologized zone. https://freight.cargo.site/t/original/i/F2151101426916937492382051072384/4_1_how_sausage_detail.jpg How the Sausage Gets Made, 2022, Installation at <a class="cap-it" href="https://www.doublegaragegallery.com/" target="_blank">Double Garage</a> (Seattle) curated by Michael Milano and Elisabeth Smith of Seattle Freezer https://freight.cargo.site/t/original/i/M2151101427414999582372208966016/23_warm_leatherette.jpg Warm Leatherette, Pleather, pigment print in artist’s frame, 2016 https://freight.cargo.site/t/original/i/Y2151101427248978885708823001472/18_2_td_papasan.jpg Images from the collaborative project and artist book Tropical Depression (2013), with Kate O’Neill. Tropical Depression investigates the relationships between photography, objects, and the tropics as a connotative and mythologized zone. https://freight.cargo.site/t/original/i/F2151101427341212606077370759552/20_3_tending_detail2.jpg Tending the Roses, Steel, image transfers on drafting vellum, enamel. 2022 https://freight.cargo.site/t/original/i/I2151101427138298421266565691776/15_1_bp_ocean_detail.jpg https://freight.cargo.site/t/original/i/A2151101427027617956824308382080/9_layout.jpg Workshopping image layout for 2021 video <a class="cap-it" href="https://vimeo.com/563520353?share=copy#t=0" target="_blank">Heavy Focus</a> https://freight.cargo.site/t/original/i/H2151101427101404933119146588544/13_bush.jpg https://freight.cargo.site/t/original/i/X2151101426898490748308341520768/3_double_blowout.jpg Double Blowout, Archival pigment print, 2017 https://freight.cargo.site/t/original/i/V2151101426861597260160922417536/1_frye_performance.jpg Still froms STAY WITH THE FEELING AND YOU WILL KNOW WHEN IT’S ENOUGH, a performance by <a class="cap-it" href="https://www.gostia.com/malacarne">Malacarne</a>, choreographed by <a href="https://www.gostia.com/" target="_blank">Alice Gosti</a>. Rooted in ideas of movement, dependency and labor, Gosti and Malacarne performed this creative response to the Boren Banner project, <a href="https://fryemuseum.org/exhibitions/boren-banner-series-laura-hart-newlon" target="_blank">A prop, grip or hold at the Frye Art Museum</a>. The performance was followed by a conversation called The Movement of Labor, mapping connections between two distinctly different art practices that explore similar themes. 2023 https://freight.cargo.site/t/original/i/T2151101427119851677192856140160/14_alpha_sunset.jpg Alpha-sunset, Archival pigment print, 2017 https://freight.cargo.site/t/original/i/B2151101426935384236455760624000/4_how_the_sausage_gets_made.jpg How the Sausage Gets Made, 2022, Installation at <a class="cap-it" href="https://www.doublegaragegallery.com/" target="_blank">Double Garage</a> (Seattle) curated by Michael Milano and Elisabeth Smith of Seattle Freezer https://freight.cargo.site/t/original/i/T2151101427285872373856242104704/19_sunset_8-030_double.jpg Sunset 8-030, part of the collaborative project Tropical Depression (2013), created with Kate O’Neill. https://freight.cargo.site/t/original/i/E2151101427359659350151080311168/20_tending_the_roses.jpg Tending the Roses, Steel, image transfers on drafting vellum, enamel. 2022 https://freight.cargo.site/t/original/i/I2151101426953830980529470175616/5_professor.mov https://laurahartnewlon.com/about-1 2025-04-01T17:51:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z2074766837390825365835846646144/web_psychic_garden.png